My self will disappear inside a new formed body, becoming a representation of movement and counter movement in space. The outer lines of the body are transparent, a semipermeable membrane that divides the inside and outside, while there is no inside or outside. This body will transform itself and the environment. An ever changing process of the body or the subjective illusion of an object as a living body in space, specific to this experiment, is my interpretation on how I see human movement (in an expanded way; it could also be a change of interest, a situation that one went through, a thought) and interaction over time. It should not be clear who is worn. Is it the body that is worn by me or is it a me who is worn by the body? How does the visible-making of ongoing movement in different directions (even if we choice new paths) change the perception of our body emerging in space or specific environments? The body will be fluent and unstable, nevertheless it will stay united. I will give input to the system, the system reacts and will interpret on it´s own. The output of this system is the interaction between the body and the viewer. My self will appear through a new formed body, being a representation of movement and counter movement in space.
Workshop
Graduate Institute of Interdisciplinary Art,
National Kaohsiung Normal University
+ Jhongdou Wetlands Park
Kaohsiung, Taiwan
+
Top! Schillerpalais, Berlin
The workshop All The Resonating Objects invites participants to explore their environment through the sense of sound. Simple tools enable to use feedback. Both, sound-feedback and feedback by the surrounding, which is to be experienced.
One part of this workshop focuses on the testing and analyzing of materials and objects for their physical properties according to sound. This method leeds to producing quite complex patterns and behaviors. Working with feedback is very delicate and sometimes difficult. Touching the objects, slightly changing their position and connections may have major effects on the feedback and resonances produced.
The other part of All The Resonating Objects leads to 'a mode of experimental behavior linked to the conditions of urban society: a technique of rapid passage through varied ambiances.' as Guy Debord defines in his 'Theory of the Dérive' (1956).
Participants should 'let themselves be drawn by the attractions of the terrain and the encounters they find there'. From this studying of our environment (psycho-geography) we will gain experiences through unusual decisions, that are caused by the use of sound-modules and the interaction between humans and space.






Psycho-geographical maps,
made by the participants:







»All The Resonating Objects«
10 December 2016
Artists: Marco Schröder, Rama Bielewski
This exhibition was supported by Top! Schillerpalais, Spekulative Gesellschaft and Kreativfond Bauhaus University.
>>

»Shared Habitats«
20 – 30 November 2017
Curators: Prof. Ursula Damm and Mali Wu
Artists: Clemens Bast, Felix Bonowski, Christian Döller, Maike Effenberg, Mindaugas Gapševičius, Rico Graupner, Freya Probst, Marco Schröder, Theresa Schubert-Minski, Tobias Zimmer, Rama Bielewski
This exhibition was supported by Goethe Institut and Kreativfond Bauhaus University.
>>