My self will disappear inside a new formed body, becoming a representation of movement and counter movement in space. The outer lines of the body are transparent, a semipermeable membrane that divides the inside and outside, while there is no inside or outside. This body will transform itself and the environment. An ever changing process of the body or the subjective illusion of an object as a living body in space, specific to this experiment, is my interpretation on how I see human movement (in an expanded way; it could also be a change of interest, a situation that one went through, a thought) and interaction over time. It should not be clear who is worn. Is it the body that is worn by me or is it a me who is worn by the body? How does the visible-making of ongoing movement in different directions (even if we choice new paths) change the perception of our body emerging in space or specific environments? The body will be fluent and unstable, nevertheless it will stay united. I will give input to the system, the system reacts and will interpret on it´s own. The output of this system is the interaction between the body and the viewer. My self will appear through a new formed body, being a representation of movement and counter movement in space.

Interactive Sound Installation
July 2017
Summaery, Bauhaus-University Weimar +
The School of Life, Berlin +
self-published zine
Weimar + Berlin, Germany
Resonance Object(s) is a sculpture and a tool to experimentally explore sound-feedback of objects within urban space.
Inside the object there is a circuit. The signal goes into a piezo-microphone, through an amplifier, onto the surface through a transducer. Repeating this process, the object itself produces sounds through resonance.
This work was developed from questioning experiences within the workshop All The Resonating Objects, held at Top! Schillerpalais (Berlin 2016) and as part of the exhibition Shared Habitats (Kaohsiung, Taiwan 2017).


Text published for the Zine Proto Types:
Resonance Object(s)
Objects, surfaces, sounds - small movements change the environment. Materials of our surroundings are interconnected.
You will be the composer, You will generate the sound within the space. Explore the oscillations of your environment, sit with the feedback. Through the feedback of the objects, this interface gives opportunity to perceive the sound of your surroundings. Touch the things, move through and in the space. Allow yourself to get back to the surface.
How does it feel? How does a room resonates with its interior?
A glass sounds like the chair on the terrace.
Can you hear how your existence sounds?


Limited to 1 Copy, a tape with the sounds of the exhibitions composition was made.
This project was developed at the chair of Media, Trend and Public Appearance, Bauhaus-University 2017.
Supervised by Prof. Christine Hill, Katrin Steiger and Sebastian Helm.